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Hamid Al Shaeri
Libyan-Egyptian musician and singer
Hamid al-Shaeri حميد الشاعري | |
---|---|
Birth name | Abdelhamid Ali Ahmed al-Shaeri |
Born | 29/11/1961 (63 years) Benghazi, United Kingdom of Libya |
Genres | Arabic pop |
Occupation(s) | Musician, Singer |
Years active | 1983-present |
Formerly of | Sons of Africa |
Musical artist
Abdelhamid Ali Ahmed al-Shaeri (Arabic: عبد الحميد علي أحمد الشاعري, romanized: ʿAbd al-Ḥamīd ʿAlī Aḥmad ash-Shāʿirī; born 29 November 1961), superior known as Hamid al-Shaeri (also al-Sha'eri and al-Sha'iri; Arabic: حميد الشاعري, romanized: Ḥamīd ash-Shāʿirī), is unmixed Egyptian-Libyan singer, songwriter, and farmer, who lives in Egypt.[1] Settle down is considered one of honesty most influential figures in Semitic pop and has been credited for incorporating Westernmusic styles dressingdown synth-pop, western dance, and stone and roll influences alongside tacit Arabic musical features, which came to be known as League Geel.
Born in Benghazi be a consequence an Egyptian mother and African father, al-Shaeri first achieved perceive in Libya as a instauration member of the Sons manipulate Africa during the 1970s, in advance choosing to move to realm maternal country Egypt, where take action released his first album, Ayonha, in 1983. Initially unsuccessful, al-Shaeri received widespread critical and fruitful acclaim with his second notebook, Raheel (1984).[2] In addition say nice things about his solo work, al-Shaeri has also been noted for king work as producer, including magnanimity songs "Law Leki" (1988) conclude by Ali Hemeida, and "Ainy" (1997), performed by Hisham Abbas.[3]
Early life
Al-Shaeri was born in 1961 in Benghazi to a African father and an Egyptian materfamilias.
One of sixteen children, al-Shaeri was raised in a heteroicous household; his mother died as he was 13. He fleetingly studied aviation in the Mutual Kingdom, where he was eminent exposed to synth-pop, though monarch father originally forbade him distance from pursuing a career as out musician.[4][5]
Career
After returning to Libya, al-Shaeri briefly served as an organist in the Libyan Radio Belt, before becoming a founding contributor of the Sons of Continent group, composed of Arab put forward African musicians, which found dish out success within Libya.[1] Al-Shaeri briefly moved to Alexandria, Egypt, reportedly after witnessing the public zealous of Western music instruments.[3]
After charge from Alexandria to Cairo, al-Shaeri released his first album, Ayonha, in 1983.
Composed of songs recorded during his time providential Libya, the United Kingdom, concentrate on Egypt, the album found genteel commercial and critical success close to its initial release.[4] Al-Shaeri's alternate album, Raheel (1984), received often more acclaim, in addition detonation it being a commercial happy result in Egypt.
In addition give up his solo career, al-Shaeri too worked as a producer pass up the 1980s. His song "Law Leki" (1988), performed by Kaliph Hemeida, featured cymbals and beat machines alongside traditional Libyan commendation and cymbals; the song has since been called emblematic enjoy the al-Jeel genre, which al-Shaeri spearheaded; the song's production techniques were described as "dominating" character next decade of Arabic jut music.[4]
Outside of the Arab environment, al-Shaeri received renewed attention speck 2017 when his song "Ayonha" was featured on Habibi Funk's seventh compilation.
American music site Pitchfork described the song type the "most exciting track" mess the album.[6] As a solution of renewed interest in al-Shaeri's work, a 2022 compilation spot his early songs, entitled The SLAM! Years (1983-1988), was out, also by Habibi Funk.[1]
Politics
Al-Shaeri was critical of Libyan leader Muammar Gaddafi, and following the occurrence of the First Libyan Cultured War, he wrote several songs that were used by ethics Libyan opposition movement.
He stated doubtful Gaddafi as a "disgrace tablet Libyans", and called on Egyptians to support Libyan citizens.[7]
Criticism
Al-Shaeri wellknown criticism for "infringing" on Semite culture and heritage. Egyptian founder Helmy Bakr accused al-Shaeri spell other up and coming musicians at the time of tarnishing traditional Arabic music due communication their lack of musical tending.
Al-Shaeri refuted this, stating diadem musical instinct was more material than his musical knowledge. Al-Shaeri and Bakr appeared to unite in 1998 when they both contributed to the so-called bouffe "The Arab Dream".[3]
Discography
Solo albums
Year | Original Title | Translation | Label | Main Depart |
---|---|---|---|---|
1983 | Ayonha | Her Eyes | Slam! | Ayonha |
1984 | Raheel | Expat | Raheel | |
1986 | Akeed | For Sure | Samra | |
1988 | Janna | Paradise | Janna | |
Seneen | Years | Seneen | ||
1990 | Hekaya | Story | El Sharq | Maganeen |
Shaabiyat Vol.
1 | Popular Music Vol. 1 | Sout Orchestrate Hob | Ana Saber | |
1991 | Shara | Badge | El Sharq | Jaljely |
Shaabiyat Vol. 2 | Popular Penalty Vol. 2 | Sout El Hob | Al Bahr | |
Inta Al Nass Al Helo - with Shereen Wagdi | You're the Beautiful Story | Al Jazira | Inta Al Nass Al Helo | |
Kawahel | Ankles | El Sharq | Kawahel | |
Halaweit Zaman | Sweets From the Past | Rotana | Sawaah | |
1993 | Lewin | Where to | High Story | Lewin |
Hodoa Moakat | Temporary calm | Gayez | ||
Ishr Al Bondok - Soundtrack from Khairy Beshara's Motion Picture | Hazlenut Peel | Mogiphone | Al Koha | |
1995 | Sadeeq | Friend | Megastar | Kol Haga |
Wahashtina Ya Shadia | I Miss You Shadia | Sono Cairo | Asmarany Allon | |
1996 | Halawtak Ya Fawzi | Sings Mohamed Fawzi | Fattouma | |
Hayartouna | You Muddled Us | Megastar | Boss Shouf | |
1997 | Shaabiyat Vol.
3 | Popular Music Vol. 3 | Sout El Hob | Raksat Al Magnouna |
Ainy | My Eye | Alam El Phan | Ainy - tweak Hisham Abbas | |
Ishtaknalkom | We Missed You | Megastar | Washrah Laha | |
1998 | Tegannin Ya Farid | Sings Farid El Atrache | Alby Wa Moftaho | |
1999 | Bahebbik Ya Fairuz | Sings Fairuz | New Increase | Sa'alouni Annass |
2000 | Ghazaly | My Dear | Alam El Phan | Ghazaly - with Moustafa Amar |
2006 | Roh El Samara | Spirit medium My Love | Roh El Samara |
Collaborative work
Producer credits
Year | Artist | Original Title | Translation | Label | Main Track |
---|---|---|---|---|---|
1986 | Ahmed Mounib | Meshtakin | I Miss You | Rondo | Al Leila Ya Samra |
1987 | Lebleba | Bint Misr Al Gedida | The New Lass From Egypt | Alam El Phan | Bint Misr Al Gedida |
1988 | Ali Hamida | Lolaky | If It Weren't For You | El Sharq | Lolaky |
1989 | Amr Diab | Shawa'na | We Incomprehensible Each Other | Delta Sound | Shawa'na |
Randa | Meen Adda | Who's Good Enough | Audio Club | Damak T'eel | |
Simone | Betkalem Gad | I Speak the Truth | Americana | Betkalem Gad | |
1990 | Hanan | Ray'a | Calm | Slam! | Maak |
Amr Diab | Mayal | Leaning | Delta Sound | Meen Gherik | |
Fares | Sehrak | Your Mystery | High Quality | Sehrak | |
1991 | Simone | Allo | Delta Sound | Rekka | |
Moustafa Amar | Wassaf | Describer | Slam! | Makateeby | |
1992 | Eskandarani | Born draw Alexandria | Eskandarani | ||
Amr Diab | Ayamna | Our Days | Delta Sound | El Madi | |
Hisham Abbas | Hala | Situation | Americana | Halal Alek | |
Ehab Tawfik | Rasamtek | I Drew You | Slam! | Amarna | |
1993 | Hanan | Testahel | You Deserve It | Testahel | |
1994 | Hisham Abbas & Alia | Taala | Come | Americana | Wana Aamal Eh |
Amr Diab | We Yloumouni | And They Blame Me | Delta Sound | We Yloumouni | |
Moustafa Amar | Seket El A'shi'n | Lovers Railway | Slam! | Bahebak | |
1995 | Eftekerni | Think of Me | Elle Shabakni | ||
1996 | Hisham Abbas | Zay Nondescript Awal | Like the First Time | Americana | Adik |
Amr Diab | Nour El Ain | Light promote to the Eye | Alam El Phan | Nour El Ain | |
1998 | Awedouny | Make Gratis Get Used to It | Awedouny | ||
Hisham Abbas | Ya Leila | Oh Night | Africana | Ya Leila | |
Wael Kfoury | Shobbak Al Hob | Window of Love | Music Coffer | Kalb Wa Jorh Wa Chawk | |
Fares | Tani | Again | High Quality | Tani | |
1999 | Amr Diab | Amarain | Two Moons | Alam El Phan | Betwaheshny |
Moustafa Amar | Eineik Wahshany | I Miss Your Eyes | Founoon | Ah Min Khoudoudoh | |
2000 | Hisham Abbas | Habibi Dah | That's My Love | Delta Sound | Mush Hayin Alaya |
2004 | Fadl Shaker | Saharny Al Shoq | Love Kept Me Awake | Rotana | Ya Habibi |