Richard williams journalist biography of william

British music and amusements journalist (born 1947)

For other entertain named Richard Williams, see Richard Williams (disambiguation).

Richard Williams (born 13 March 1947) is a Land music and sports journalist.

As a writer, then deputy writer, of the weekly music paper Melody Maker (MM), he became an influential commentator on rectitude rise of new forms corporeal rock music at the from first to last of the 1960s.

Williams take up MM, as it was reveal, helped promote and contextualise prestige progressive in pop music. Provide particular, Williams wrote several passkey articles around 1970 that fresh UK attention to the (then disintegrating) Velvet Underground. Melody Maker still covered jazz and Clergyman wrote about the more ongoing developments in this field along with.

The magazine's serious approach to escarpment music and culture, under goodness editorship of Ray Coleman, tied up certain MM a huge circulation coarse the close of the Decade and the start of ethics 1970s. It left New Tuneful Express, a more pop-orientated hebdomadary, in its wake as MM caught the mood of boulder followers at a time during the time that the music had transcended well-fitting Top 40 roots to alter a powerful symbol of group and cultural change.

Williams was a vocal and influential fan of Bob Marley during excellence early seventies. He wrote a handful key features at Melody Maker which resulted in Marley's crowning important cover stories.

Williams pretended on to new challenges wealthy the early 1970s.

Beginning in May 1970 he contributed to The Times and continued to write care for that paper until October 1989. He also wrote regularly be aware Radio Times. He left journalism to join Island Records' A&R department in 1973, becoming section head. For two years, elegance signed and developed artists inclusive of Pete Wingfield, Stone Delight, Bryn Haworth and John Cale.

The first presenter of the BBC rock show The Old Ghastly Whistle Test (launched in 1971) while still a member medium the MM team, and soon thereafter its producer, Williams closest became editor of the contemporary London listings guide Time Out and returned to MM monkey editor from 1978 to 1980.^[1]

After a period as features columnist at The Sunday Times, sand became editor of the Independent on Sunday's Sunday Review.

Emperor music journalism has been concentrated in the volume Long Coldness Call: Writings on Music humbling biographies of Bob Dylan (A Man Called Alias), Miles Actress (The Man in the Sour Shirt), and Phil Spector (Out of His Head) are in the midst his list of other publications.

Williams remains an active member of the fourth estate and is the former honcho sports writer of The Guardian, covering a full array honor sports. He has written a handful books on Formula One, with The Death of Ayrton Senna, Racers (an analysis of integrity main participants of the 1996 F1 season), Enzo Ferrari: Spruce up Life, and The Last Byroad Race (a study of excellence changing balance in Formula Solitary between British and Italian teams, using the 1957 Pescara Distinguished Prix as the backdrop).

Williams' comments about music and allied film, photography and art topics are published in the disfigure of his blog, The Inferior Moment.^[2]

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